翻訳と辞書 ・ Love, Sax and Flashbacks
・ Love, Sex and Eating the Bones
・ Love, Sex, and the Zodiac
・ Love, Shelby
・ Love, Sidney
・ Love, So Divine
・ Love, Speed and Thrills
・ Love, Springfieldian Style
・ Love, Stargirl
・ Love's Last Shift
・ Love's Lines, Angles and Rhymes
・ Love's Lines, Angles and Rhymes (song)
・ Love's Long Journey
・ Love's Looking for Me
・ Love's Made a Fool of You
・ Love's Messenger
・ Love's Metamorphosis
・ Love's Mystery
・ Love's Not a Competition (But I'm Winning)
・ Love's Old Sweet Song
・ Love's Old Sweet Song (1923 film)
・ Love's on Every Corner
・ Love's Option
・ Love's Philosophy
・ Love's Pilgrimage
・ Love's Pilgrimage (play)
・ Love's Prisoner
・ Love's River
・ Love's Sacrifice
・ Love's Sacrifice (film)
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| Love's Messenger ： ウィキペディア英語版 |
Love's Messenger
''Love's Messenger'' is a watercolor by Marie Spartali Stillman (1844-1927) which features a dove which has carried a love letter to a woman wearing a red rose who stands in front of an open window, and who has put down her embroidery of a blind-folded Cupid.〔 The painting was purchased in 1901 by Samuel Bancroft and is now in the Delaware Art Museum.
==The painting==
''Love's Messenger'' reflects the influence of both early Pre-Raphaelite painting and Italian Renaissance painting. The symbols portrayed in the painting, including the dove, rose, ivy, and the blind-folded Cupid "suggest constancy, fidelity, and loveliness in full bloom," but also suggest "beauty on the cusp of decay, sensuality, and the pain Cupid's arrows may inflict." The presence of Venus is shown by the rose and the dove, so that the "scene may offer a contrast between the beauty, love, and abundance of Venus and the sensuality and unpredictability of her son Cupid."〔
The artist modestly described the painting in 1906:
Critic Jan Marsh suggests that the studio with the bull's eye windows may have been in Edward Burne-Jones's house "The Grange" in Fulham.〔
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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